Bedtime Stories
2007
Bedtime Stories is a collection of charcoal drawings and paintings, these works take on the theme of fairy stories and nursery rhymes with a surreal or sometimes erotic twist.
• Rapunzel 2006 • Medium: Charcoal on Somerset Velvet Paper • Size: 56cm X 72cm • Status: Artists personal archive. •
• Goldilocks 2007 • Medium: Charcoal on Somerset Velvet Paper • Size: 56cm X 72cm • Status: SOLD/Private Collection •
• Lil' Miss Muffet 2007 • Medium: Charcoal on Somerset Velvet Paper • Size: 56cm X 72cm • Status: Available •
• The Gingerbread Man 2007 • Medium: Charcoal, Gesso and Phosphorescent Pigments on Fabriano • Size: 140cm x 190cm • Status: Artists personal archive. •
• Lil' Red Riding Hood 2007 • Medium: Charcoal on Somerset Velvet Paper • Size: 56cm X 72cm • Status: SOLD/Private Collection •
• Mary Mary Quite Contrary 2007 • Medium: Charcoal, Gesso and Phosphorescent Pigments on Fabriano • Size: 140cm x 190cm • Status: SOLD/Private Collection •
• Three Blind Mice 2007 • Medium: Oil on Canvas • Size: 56cm X 67cm • Status: SOLD/Private Collection •
• Rock A Bye Baby 2006 • Medium: Charcoal on Somerset Velvet Paper • Size: 56cm X 72cm • Status: Available •
• Peter Peter Pumpkin Eater 2007 • Medium: Charcoal on Fabriano • Size: 140cm x 190cm • Status: Artists personal archive. •
• Baby Baby Bunting 2007 • Medium: Charcoal, Gesso and Phosphorescent Pigments on Fabriano • Size: 140cm x 190cm • Status: SOLD/Private Collection •
• Hey Diddle Diddle 2007 • Medium: Charcoal on Fabriano • Size: 140cm x 190cm • Status: Artists personal archive. •
• One Eye Two Eye Three Eye 2007 • Medium: Charcoal on Somerset Velvet Paper • Size: 56cm X 72cm • Status: Available •
• Lil' Bow Peeps 2007 • Medium: Oil on Canvas • Size: 56cm X 67cm • Status: SOLD/Private Collection •
• Like a Diamond in The Sky 2007 • Medium: Charcoal on Somerset Velvet Paper • Size: 56cm X 72cm • Status: Available •
• Little Red Riding Hood and The Psychedelic Forest 2007 • Medium: Charcoal on Fabriano • Size: 430cm x 190cm • Status: Artists personal archive. •
The Exhibition
Bedtime Stories was created by Harriet as part of her 4th and final year of her Fine Art degree at The Sligo Institute of Technology in 2007. Consisting predominately of large scale charcoal pieces, drawn on specially concocted surface grounds of phosphorescent and Ultra Violet (UV) pigments, iridescent glitters bound with clear gesso and latex. This gave the Fabriano surface an unparalleled tooth for precise charcoal work.
Bedtime Stories was shown in a purpose built installation with a huge foam-backed fabric canopy roof that blocked out exterior light from the space, in order to control the lighting into various transitions of white and black lighting on a lighting sequencer.
The orange walls were painted with invisible UV blue motifs that were only visible under black-lit lighting conditions, appearing and disappearing. During the lightings looped sequence the lights went completely off and the large charcoal drawings glowed in the dark as if lit from behind.
The exhibition became an immersive experience as the lighting changed the art took on a new life.
Here are some photos of the show:
Bedtime Stories 2007
Artist Statement
Bedtime Stories is a collection of charcoal drawings and paintings, these works take on the theme of fairy stories and nursery rhymes with a surreal or sometimes erotic twist.
These works cross three main disciplines painting, drawing and installation. I enjoy working on a large scale I feel the work is much more powerful on the viewer to get an emotional reaction from the work which is my intention; I want my work to stay with the viewer once they leave the space. I have been experimenting with a large variety of ultra violet paints and pigments. Using lighting effects I was able to change the mood in the space to cross between different levels of intensity. The Women in the Art are stylized from contemporary childhood culture with an edge of urban street art, especially influential stylistically is the work of early 90’s female Toulouse street artists and the Bratz dolls. These character’s juxtaposed in there new narratives are a commentary on the ever departing from cultural traditions in a media saturated world.
This body of work has evolved from the theme Mandalas, as being a method of describing the structure of the physical and metaphysical universe that is referred to in Buddhism. The notion of there being planes of reality, other dimensions and states of being - life, dreams, after 'death, and the possibility that there maybe other states we are unaware of.
This figurative work depicts a fantasy land undergoing a dreamlike description of a universe shift, described with circles of light and symmetrical flower forms, symbolic of this notion of Mandalas.
I glimpsed through the veils of illusion of these many planes into a strange unknown land known to some as` over the hills and far away’. In this place not all was what it appear, there were objects hidden in the landscape, which although appeared still, its hills and mountains were very fluid, like coloured custard creeping slowly consuming these objects along its path. It seemed that these characters and objects were not as part of the landscape but a glimpse for a split second, lifting the veil onto another realm.
I like this magical realm I see it as a gigantic dream land of infinite possibilities where our conscious goes to escape and to allow our imagination to unleash itself from our preconceptions that chain us down on earth.
This is the realm of fairy stories and nursery rhymes dreamed up long ago, the dreamers wrote them down to spread to the masses, some had important lessons of wisdom, as time passed so were the stories they slowly lost their meaning, like a message passed by Chinese whispers game. In the dream world the characters and stories still existed but the outside influence from the modern earth filtered in to the shared memory of such things, the characters roles became distorted and maybe more so relevant as a reflection of ever changing attitudes in today’s society and the changing face of today’s childhood culture.
Bedtime Stories offer a glimpse into a realm where our preconceptions need not apply and in applying them the characters in the stories appear edgy, the personal interpretation of these works as with most things depend on the innocence or experience of the viewer.
- Harriet Myfanwy Nia Tahany 2007